AS FEATURED ON GUY GARVEYS FINEST HOUR – BECKAPEDIA…

Maurice-Alexis Jarre (13 September 1924 – 28 March 2009) was a French composer and conductor, “one of the giants of 20th-century film music” who was “among the most sought-after composers in the movie industry” and “a creator of both subtle underscoring and grand, sweeping themes, not only writing for conventional orchestras… but also experimenting with electronic sounds later in his career”…

THIS epic collection for one of the the most prolific composers of all time, composing so many iconic classics including three Academy Awards for Best Original Score for the David Lean films Lawrence of Arabia (1962), Doctor Zhivago (1965), and A Passage to India (1984) and Oscar-nominated for Sundays and Cybèle (1962), The Message (1976), Witness (1985), Gorillas in the Mist (1988), and Ghost (1990). Notable scores also include Eyes Without a Face (1959), The Longest Day (1962), The Train (1964), The Collector (1965), Grand Prix (1966), The Man Who Would Be King (1975), The Year of Living Dangerously (1982), Fatal Attraction (1987), and Dead Poets Society (1989). He worked with such directors as Alfred Hitchcock, Elia Kazan, John Huston, Luchino Visconti, John Frankenheimer, and Peter Weir..

This collection features some early classics and some overlooked gems, such as…
Eyes Without a Face
Lawrence Of Arabia Soundtrack
L’oiseau De Paradis/The Bird of Paradise
L’univers d’Ultrillo
La Génération Du Desert
La Main Chaude